One of the first chapters in almost every chess book written for new players is called something like “The Elements.” It goes on to define them as time, space, and force.
Your strength will increase greatly as you develop the ability to see the implications of your moves in these terms. It’s a powerful way to break down a chess position, in order to understand what’s happening on the board.
Each chess game represents a series of transformations, as the time, space, and force present themselves in different configurations as the game evolves.
Every position is unique, and the relative importance of each element varies depending upon the exact position on the board.
In this contest, we will focus upon the value of time, as my opponent made an error in the opening that allowed me to gain valuable time, and quickly develop a strong attack against his King.
Use the PGN player on the right column to play the game as you read the article. On small devices, the player may be placed at the bottom of the article.
1.e4 c5 2.Nf3 g6 3.d4 cxd4 4.Nxd4 Nc6 5.Be3 Nf6 6.Nc3 Bg7 7.Be2 0–0 8.Qd2 d6 9.Nb3
We’re looking at The Dragon Variation of the Sicilian Defense. It’s one of the sharpest openings in all of chess.
The expression “sharp” is frequently used to describe certain chess positions. It means that a single inaccuracy can quickly determine the outcome of the game.
There are more decisive outcomes and fewer draws with sharp openings. They also require a higher level of precision.
Here are some of the key factors that make an opening “sharp.” You can think of them as you assemble your opening repertoire and develop your chess style.
Factors that define a sharp position
- Castling on opposite sides of the board.
- Imbalances in the pawn structure.
- Element trades
Opposite side castling
Castling on opposite sides of the board often results in extremely sharp play, as both sides attack the opposing king. King safety often becomes the primary concern.
In the current position, White is poised to castle queenside, and Black’s king has already committed to the other wing.
Imbalanced pawn structure
Imbalances in the pawn structure create opportunity for both sides. The Sicilian is the sharpest opening in chess, and it’s favored by players with an uncompromising style who play to win. The middlegame positions often become sharp as a result of the pawn structure after
As a result of the exchange
cxd4, Black controls squares on the
c file, and often posts his pieces on
c4. He also has more central pawns, and that’s a big reason Sicilian endings are often good for Black.
White controls squares on the
d file, posts pieces on the
d5 squares, and posts a knight on
d5 in a large number of situations (as happened in this contest).
He also has better development, and a space advantage, that results from his
e4 pawn. In this opening, White usually looks for a way to convert his time and space advantage into an attack against the king.
“Element Trades” round out our discussion of factors that make a position sharp. I made up this phrase to describe the fact that many positions involve trading one element (time, space, and force) for another.
In many openings element trades set the tone for the entire contest. Here’s a position from the Nimzoindian Defense after
1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.a3 Bxc3+ 5.bxc3
…Bxc3 in order to double White’s
c pawns. In its essence this move represents a trade of force for space. That’s because the latent potential (force) of the bishop pair is considered a long term advantage.
On the other hand, Black inflicts damage on White’s pawn structure (space), and often develops play against those weak pawns, and nearby squares.
The elements can be traded in many different ways.
Here’s an example from the Smith Morra Gambit. It’s a good example of trading force (sacrificing material) for time (rapid development).
After the moves
1.e4 c5 2.d4 cd 3.c3 we have the following:
Back to the game …
In my database, I have 24 games with the position after
9…Be6 and 9…a5 are the only continuations. Both these continuations are thematic, because they enhance Black’s counterplay, which is vital, because of the sharp character of the opening, and the relative position of the kings.
…a5 is frequently a good move to play against a knight posted on
9…Be6 fights for the
On the other hand,
9…Ng4 has the opposite effect. White is able to capture on
g4, then play
f3 is played in over 90 percent of Sicilian Dragons, because it supports the
g4 square. After playing
g4, White then proceeds with
h4, and opens up lines to Black’s king.
The importance of counterplay in sharp positions
All these moves are standard, and Black can often handle these threats as long as he develops counterplay against White’s king. However, in this particular contest, Black never develops any threats at all.
In the Sicilian Dragon it’s vital for Black to develop counterplay against White’s king. The element of time is highly emphasized in this sharp opening, as it is in all sharp openings. In many of the main lines, the outcome is often decided by “who gets there first.”
10.Bxg4 Bxg4 11.f3 Be6 12.Bh6
Eliminate your opponent’s best minor piece
Black’s dark squared bishop is his best minor piece in the Dragon. That’s because it helps protect the king, and also plays a powerful attacking role in many variations.
Bh6 is played in many of the main lines in order to eliminate “the Dragon bishop.” In addition to eliminating Black’s dark square bishop, it also prevents Black from blocking the
h file after
h4-h5, which is a standard defensive idea in many of the main lines.
Black doesn’t get a chance to play any of his best Dragon ideas in this game, because of the time he lost after
12…a6 13.h4 13...f5
Black wants to bring his queen over to defend the king. However, this move weakens his light squares, and White finds a powerful tactic, based on this fatal weakening.
14.h5 Qe8 15.Bxg7 Kxg7 16.Nd5
…Nd5 plays a huge role in many Sicilians. The knight is often sacrificed on that square when Black’s king is in the center, and the balance of theory in those variations often revolves around that sacrifice.
Every opening has recurring themes that show up many different ways depending upon the exact direction the contest takes.
As you get to know your openings, you will become increasingly aware of those themes, and develop a good sense of when they apply.
Black’s knight will lose control of
This enables White’s knight to occupy that square.
e4 pawn ends up on
That means White gains complete control of
White’s knight will occupy e6 and dominate the position.
17.hxg6 Qxg6 18.Nf4
White is already winning after this move. Black has too many weak squares around his king, and has not developed any counterplay.
The “natural move” isn’t always best.
This was a speed game on the internet, and nine out of ten players would have instinctively played this queen check.
The best move was
18…Qf7, but it was also losing.
Played to prevent
20.Nh5+ forking the king and queen.
20.Rh3 Qg5 21.Ne6+ Bxe6 22.Qxg5+ resigns.
Black’s game quickly became difficult after the sequence
9…Ng4 10.Bxg4 Bxg4 11.f3 Be6.
He lost time when he had to retreat his bishop on move 11, and White gained time when he “played
f3 for free” attacking the bishop.
White was able to quickly advance his attack on the kingside, and Black’s counterplay never developed. Because we were in a sharp opening, the extra time made a great difference in the direction of the game. Black was forced into a completely defensive situation, and the game “almost played itself” from the White side of the board.
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